No Relation, by Paula Carter

A scan of the cover of the memoir No Relation, by Paula Carter.

As I said yesterday, I’m playing with flash writing. I struggle, because I love words. But that is probably because the writers I have been most informed and shaped by also loved words. I love a good story.

In other words, I need to read more writers who tell stories with economy.

Several websites pointed me to the memoir No Relation, by Paula Carter (https://bookshop.org/p/books/no-relation-paula-carter/12167871). It’s 147 pages, and it’s a small format book – slightly smaller than a trade paperback. The synopsis, from the publisher:

When Paula first met James, she was 26, in graduate school, and not ready to be any kind of mother to his two young sons. But, years later, after caring for them and watching them grow, she finds herself unsure of what to do when her relationship with their father ends. In a collection of striking flash essays, Paula reveals the complexity of loving children who are not her own and attempts to put language to something we have no language to describe. No Relation is a deeply personal, beautifully rendered account of a seldom-remarked on kind of love and loss.

I did not expect to like this book, being someone who doesn’t generally read relationship memoirs, but it was a pleasant surprise. It turns out, I had a lot of resonance with the author, being someone who was once in love with someone who came with kids.

But the reason I bought the book is because while it’s a full memoir, it’s made up of ~85 very short (all under 250 words, I think) standalone flash essays, and I wanted to see how she did it.

It was well done, and it had that feeling like you are watching a magic trick, and you know you are watching a magic trick, but it doesn’t feel like a trick – it feels real. Put another way, the technique faded into the background, as it should.

Recommended both as a memoir, and as an example of the flash-essay-as-book technique.

The comfort of books

There has never been a time when I did not love books.

Growing up in my small rural life, books were my window to the wider world. I explored the streets of Paris with Dupin, the alleys of Victorian England with Sherlock Holmes, swung from trees with Tarzan, and visited brave new worlds under the tutelage of Isaac Asimov.

The tiny library in the town 7 miles away from my parent’s house filled my childhood hours with adventure and excitement. It was there I was introduced to dinosaurs, knights, and Druids. The way it smelled, the lighting, the posters on the wall, the massive oak desk with Ms. Lee behind it, glasses on a chain around her neck. The whole gestalt of it all felt like magic.

No, it felt Holy.

Later, as an adult, I would go through a horrible divorce (is there truly any other kind?) and quit my good job and buy a paperback bookstore in Midtown Memphis. It was my act of rebellion, my following the admonition of Wendell Berry to “So, friends, every day do something / that won’t compute.”

It was, I would later say, a great way to go broke slowly.

I watched my income drop by $80,000 year over year and went from living in a large apartment overlooking the Parkway to a tiny attic room over a friend’s office. I delivered pizzas at night to support the bookshop and me. I entered into all sorts of ill-advised romantic relationships with art college students who loved the romance of a bookshop. Later I would learn that addicts often slept with their dealers. I leaned into the Bohemian existance of a man in his early thirties who drank wine from boxes, listened to jazz piano, walked to work, and read. God, did he read.

Books saved me during this time. Every moment I was at home, in my tiny attic room, I had a book open. I read poetry. Complicated fiction. Magical Realism. Sci-fi. Biographies of all the major Beat writers. I read that Truman Capote said that Kerouac wasn’t writing – he was typing. I loved that, so I read all of Capote.

It was an intense year.

I opened the shop at 10 Tuesday through Saturday. But I’ve always been an early riser, so I would find myself at the store around 7:30 many mornings, drinking coffee and sitting on the couch in the middle of the store, surrounded by books.

The shop had large windows that faced North, giving good, soft light throughout the day. In the early mornings, the edge of the sun would peak through, casting light across the shelves. Motes of dust would drift lazily through the sunbeams, and Monk would play on the 80’s era jam box I hid behind the counter.

During these times, when the stack of bills on the counter went unopened – when I could briefly not think about the many people I had let down, the rural life I had walked away from, the marriage I had walked away from, the careers I had walked away from. When I could just stop walking away and just be, on that couch, surrounded by thousands of books. It was then that I felt the way I always assumed a better person than I would feel in church.