Me say war

NB: Each week I’m posting something from the archives of my more than 20 years of writing on the web. Sometimes it’s a social media post, sometimes a blog post, or (like today) it’s an excerpt from a newsletter issue published in 2019. Each entry gets updated with some modern context or point of view. – HH

Back in 1992, Sinead O’Connor caused a sensation when, on Saturday Night Live, she tore up a picture of the Pope in protest of clergy sexual abuse. She was a young star on the way up, and it seriously set back her career and cost her a lot of fans. This was more than a decade before the worst abuses of Roman Catholic clergy abuse would come to light.

In retrospect, she wasn’t wrong, merely early. 

Two weeks later, she was at Madison Square Garden for a Bob Dylan tribute. She was introduced by Kris Kristofferson, who praised her integrity. The audience began booing her and would not let up. She stood there, stone faced, as they booed her. Finally, she asked for the mic to be turned up, and she launched into an a cappella recitation of War by Bob Marley.

Over the haters, she nearly shouted into the mic:

Until the philosophy

Which hold one race superior and another

Inferior

Is finally

And permanently

Discredited

And abandoned

Everywhere is war

Me say war

And when she finished, she walked off the stage, giving them her back, as my Latina friends would say, and fell into Kris Kristofferson’s arms and sobbed. 

It is one of my favorite images: a 25-year-old woman, in front of a hostile audience, standing firm to her principles, refusing to be cowed. Afraid, but convicted. Not without fear, but standing up for what she believed despite that fear. Speaking the truth, even though her voice shook. 

UPDATE:

Another tidbit about this story that I love. In the picture I used for this piece, Kris is whispering in her ear, “Don’t let the bastards get you down.”

Sinead replies, “I’m not down.”

It’s then she asks for the mic to be turned up.

It’s been six years since I wrote this. A lot has changed. Sinead has died. Kris has died.

But much hasn’t. It’s still war. And we still need people to speak, even when your voice shakes.

The secret ingredient

Trader Joe’s sells mushroom powder, which is the secret ingredient in a lot of my recipes where you need an umami kick. In gravy, in soups, roasts…. anywhere you might use mushrooms.

Sadly, there is no Trader Joes for hours from us, so whenever we are in a town that has one, we stop in with our list of Trader Joe’s essentials.

Punk Damage

A thing I love is when I learn about a word or phrase that gives language to a thing I have known, but did not have words for.

Like the first time I learned about harm reduction, which is a specific theory of social work that says that in order for people to make good decisions, they must first be alive so let’s focus on keeping them alive to buy them time to make good decisions.

So, under harm reduction, you focus more on making sure people who inject IV drugs can shoot up safely, instead of them having to reuse dirty needles. Teenage kids are going to have sex, so let’s make sure they have access to birth control and STD preventatives, like condoms. Mentally ill people who live on the street should have warm beds and hot meals so they can live long enough to access medical care.

Like that.

I “knew” that, but I loved learning there was a term for it. That people took it seriously. That people were actively working on it, and how to discuss it, and how to perpetuate it. I’m self-educated, so I sometimes feel embarrassed to learn the things I didn’t learn in school, that my impostor syndrome told me “everyone else” knows, because they went to better schools than I did, or went longer, or have more letters after their name than I do.

But a lot of that is context. Most folks who are not involved in some form of social work are unaware of harm reduction, no matter how many degrees they may have. It just doesn’t come up.

Likewise, as someone who grew up listening to Americana and 80s hair metal, I wasn’t much into punk, and never really identified that way. Although, in retrospect, there was a lot of overlap that just didn’t make its way into the social discourse of Independence High School in Independence, MS (population 106) in 1987. 

So, when I recently learned about “punk damage” in Beth Picken’s book, Make Your Art No Matter What, I felt known, despite my lack of punk credentials. 

There are many ways of money damage that are culturally linked and rooted in our families, religions, or communities of origin. One kind of money damage that frequently appears in my consulting practice is referred to as “punk damage,” which is a type of demonization of money and the people who seek it. According to the Lesbian Lexicon, Punk Damage (noun) is the sordid underbelly of self-limitation that comes directly from having come of age in a punk scene. Often marked by an extreme distaste for the making and/or spending of even small amounts of money. (p.73)

I didn’t get it from punk, though—I got it from poverty, and growing up in a strong DIY household, and then working in the finance world to get away from all that, and then finding that I hated that world, and then working for two decades in anti-capitalist spaces.

I have a lot of it, whatever you want to call it.

I heard a friend, who is a bestselling and award-winning author talk about how for decades her writing made a living for her publisher, her editor, her publicist, and her printer, but not for her, and that she just bought into that.

“I once believed that making money from my art was wrong, and so I lived in poverty. I no longer believe that.”

I love her putting it that way: I once believed x. I no longer believe x. So simple, so clean.

I was talking to my therapist this week about “acceptance” and my problem with it, because acceptance often seems like acquiescence. And there are many things in life that should not be acquiesced to. And as Dorothy Day said, “Our problems stem from our acceptance of this filthy, rotten system.”

I like Angela Davis’ remark that she is no longer accepting the things she cannot change—rather she is changing the things she cannot accept.

I’m coming to terms, in my sixth decade, with the fact that I need not accept the “punk damage” I have learned, and that my art can make money, and that while I once believed x, I need no longer believe it.

Slowly. But it’s coming.

Hugh's Blog

Hopeful in spite of the facts

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